
Minnelli has to act opposite Finney and Colin Blakely, with whom she has no chemistry.

Minnelli plays the American photographer who hangs out in his palatial modernist home, being glimpsed on the CCTV screens on which Charlie rather creepily keeps an eye on things, and cruises around with him in his Rolls, taking pictures of his depressed home town. Charlie Bubbles (1968)Īlbert Finney’s sole directorial outing was this very 1960s romp about a fashionable northern writer, Charlie (Finney), who becomes gigantically rich and famous and winds up in a mood of directionless despondency in his wealthy London habitat. Photograph: Universal Pictures/Allstar 14. “His clothes danced with you,” she says of Halston’s work.
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The movie shows Minnelli’s own role in the history of fashion and her grasp of how costume works with choreography. She is being featured here in the role of an intelligent expert observer, rather than an opaque star commodity. Halston (2019)įashion documentarist Frédéric Tcheng gave us this study of designer Roy Halston – creator of Jackie Kennedy’s pillbox hat – which had some interesting commentary from his great friend and ally Minnelli. The three guys dressed as knights in armour clank up to her table, kicking off some uproarious physical comedy. One star that he and his two buddies (Marty Feldman, Dom DeLuise) approach is Minnelli, who is one day eating lunch at that legendary place that had in 1976 not quite vanished from Hollywood mythology: the studio commissary. Mel Brooks’s all-star stunt-casting extravaganza was a silent movie featuring himself as a washed-up director who needs stars to appear in his planned silent movie. He sneakily takes Minnelli’s photo off the wall and replaces it with his own, just she sweeps in she is deeply annoyed at being erased by the Muppet upstart. Kermit is pretending to be a bigshot producer, hoping to spread whispered rumours among the moneyed crowd that his show is the one to invest in. But in reality, all we got was this very brief cameo playing herself as Kermit enters the restaurant Sardi’s in New York. Minnelli would be a brilliant proper Muppet guest star: a Muppet Cabaret is the obvious choice. Photograph: United Archives GmbH/Alamy 17.

With Kermit in The Muppets Take Manhattan. With some poise, she plays a deadpan straight-woman role, as blowhard Rupert continually interrupts her anecdotes.
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Minnelli plays herself in the delusional Rupert Pupkin’s dream of being on the top-rated TV chatshow, hosted by the glowering star Jerry Langford (Jerry Lewis). The King of Comedy (1982)Īnother of Minnelli’s meta-cameos, this deleted scene surfaced many years afterwards, revealing that Scorsese had reunited his stars from New York, New York. It’s rather low energy and low on laughs, but Minnelli does at least carry a plausible supporting role.

Lovable alcoholic Arthur is now married to Minnelli’s Linda, the shoplifter he fell for in the first film he loses all his money but is offered the chance to get his wealth back if he divorces his true love (Minnelli) and marry someone else. Here is a role and a movie that most Minnelli fans (and, come to think of it, most Dudley Moore fans) prefer to pass over in silence.
